Wes Anderson: This interview with Louise de Vilmorin on the Earrings of Madame de DVD is very funny. She is already mesmerizing and charming and unlike anybody you have ever met—and then she starts talking about the movie. She hated it, in fact? Max Ophuls made a perfect film.
Wes Anderson: We watched Au hasard Balthazar last night and loved it and also Donald Richie. You hate to see that poor donkey die. He takes a beating and presses on, and your heart goes out to him. Also, Mouchette is terrific, which we watched last week.
Wes Anderson: We are deep into Shohei Imamura. I always loved Vengeance Is Mine, which was the only one I knew, on a double-disc Criterion laser. But now this box set gives me some perspective. Pigs and Battleships. The war did not exactly work wonders for the people of Tokyo.
Part of Wes Anderson 3-way tie for third place. From the Shohei Imamura box set that gave Anderson new perspective on the acclaimed Japanese director and his exploration of human nature.
Part of Wes Anderson 3-way tie for third place. From the Shohei Imamura Criterion collection that deeply impressed the director with its raw portrayal of postwar Japan.
Wes Anderson: This is a wonderful and very strange movie. I had never heard of it. The man who plays Louis cannot give a convincing line reading, even to the ears of someone who cannot speak French—and yet he is fascinating. I was in his corner from start to finish.
Wes Anderson: I had never seen it before. It is great, and the interview with John le Carré is touching—especially his assessment, or more like admission, at the end that Martin Ritt made something like a classic.
Wes Anderson: Classe tous risques is very good. I am a great fan of Claude Sautet, especially Un coeur en hiver. Who is our Lino Ventura?
Wes Anderson: I was introduced to Pialat in the first place by your À nos amours disc. You should do every one of his you can get your hands on.
Wes Anderson: What a great Mishima DVD—and the commentary track. Immediately started the movie again and watched it all the way through with Paul Schrader. This has always been one of my favorites of his, along with Blue Collar. And Donald Richie again!
Wes Anderson: Have just watched The Exterminating Angel for the first time since fuzzy VHS in University of Texas A/V library. He is my hero. Mike Nichols said in the newspaper he thinks of Buñuel every day, which I believe I do, too, or at least every other.
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